Kate Fetherston: Artist and Poet
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    • Work in cold wax/oil
    • Work in acrylic
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Kate Fetherston: Artist and Poet
  • Home
  • Portfolio
    • Work in cold wax/oil
    • Work in acrylic
    • More Portfolio
  • Contact
  • Links
  • News, Events, Poetry
  • Art Resume
  • Writing Resume
© KATE FETHERSTON
Website by OtherPeoplesPixels
  • Superstition Review # 18: Poem

    A philosophical meditation on the presence of absence.

  • Numero Cinq Aug 2015: Paintings and Poems

    Paintings from my series of work on paper using watercolor and oil pastel. And a few freewheeling poems.

  • Getting Off My Game: Guest Blog, Superstition Review 2015

    Thinking about the various ways reading helps me get through the anxiety of writing.

  • Superstition Review #14: Three Poems

    These poems in Superstition Review's Issue #14 These three poems are part of a longer cycle in progress.

  • Until Nothing More Can Break

    My first book of poems, from Antrim House, 2012.

  • Numero Cinq 2012

    Numero Cinq, the brainchild of Douglas Glover, is the most wide reaching journal online today. This poem, an elementary school memory of true love at its most unraveling core, haunts me still.

  • Superstition Review #8: Two Poems

    These poems both deal with what can or can't be fixed----in relationships, in the surprises and disappointments of life.

  • Manthology: Poems on the Male Experience

    Edited by Craig Crist-Evans, Kate Fetherston, and Roger Weingarten

    “There’s no telling from poem to poem where this brilliant ‘conversation’ about maleness and gender will lead—there are poems about husbands and wives, parents and children, Elvis, Apollo, Walt Whitman, rhythms of its politics. Manthology is a remarkably honest and enormously heartening collection.”—Nancy Eimers, author, A Grammar to Waking

    “Manthology casts a wide net to capture a provocative, idiosyncratic range of takes on the male experience. One of the worst things we as men can do is take ourselves too seriously, for the consequences of doing that are indeed very serious, and the editors of this fresh, unpredictable anthology clearly recognize that. The editors do not attempt to resolve any arguments with their selections, but maybe to create a few along the way—it’s a spirited collection from start to finish.”—Jim Daniels, author, Show and Tell: New and Selected Poems

    Why focus an anthology of poems on the male experience when, for centuries, men have pretty much dominated everything from politics to the literary canon? Hasn’t everything that can be said about the male experience already been said? This collection proves that the answer is a resounding no.

    Each of the anthology’s ninety-three poems spotlights an individual experience that nonetheless becomes universal. Together poems from ninety-three poets—twenty-six of them female—take on self-doubt, fatherhood, sex, death, relationships, work, war, peace, and a diversity of other topics to form a perceptive and insightful collection.

    “The idea isn’t so much that the poems celebrate men as that they challenge the reader to discover for him or herself what is male about the poem,” says Billy Collins about the collection. Humorous, sad, celebratory, and thoughtful, Manthology gathers a surprising group of poems focused on the almost poignant intensity of the male experience, with its attendant urgencies, confusions, and hilarities.

    Contributors:
    Marvin Bell, Robert Bly, Christopher Buckley, David Clewell, Billy Collins, Mark Doty, Rita Dove, Stuart Dybek, Lynn Emanuel, Dana Gioia, Ray González, Tony Hoagland, David Lehman, Philip Levine, Bret Lott, Campbell McGrath, Naomi Shihab Nye, Maureen Seaton, Betsy Sholl, David St. John, Charles Harper Webb, and David Wojahn.

  • Open Book: Essays from the Postgraduate Writers Conference

    Edited by Kate Fetherston and Roger Weingarten

    The texts we write are not visible until they are written. Like a creature coaxed from out a deep wood, the text reveals itself little by little. The maze evokes a multiplicity of approaches, the many tricks we employ to tempt the text hither.” writes Rikki Ducornet in her essay, “The Deep Zoo.” This book of essays is a convocation at the edge of that mystery, a meeting of minds passionate about words whose intent is to tempt language from the realms of imagination and experience onto the page. Our collection—navigating the confluences between novelist and poet, between short story and creative nonfiction writer—aims to encourage the technical and linguistic leaps that keep writers writing. To this end, we didn’t divide this collection into genres. By ordering alphabetically, we mean to allow readers to move through the slightly familiar into the unfamiliar. We’ve selected pieces that will be useful to writers at different levels of experience as well as to teachers of writing. We offer this collection to inspire your imagination and tune your craft as you make that leap from “What if?” to the page

© KATE FETHERSTON
Website by OtherPeoplesPixels